An original hand-burned pyrography artwork exploring integration, transformation, and the evolving relationship between artificial intelligence and organic life. Part of my ongoing White Rabbit series.
White Rabbit #8 continues the story that began with White Rabbit #7.
In this piece, the white rabbit is no longer sitting across from artificial intelligence. The relationship has shifted. The rabbit itself has begun to change.
Here, organic and mechanical elements are intertwined. The rabbit’s form shows clear signs of integration—bones, joints, and internal structures are no longer entirely natural. This work represents the middle of the arc: the point where curiosity has turned into transformation.
This piece reflects my own experience with AI as something that no longer exists outside of us. It’s no longer just a tool we interact with—it becomes something we absorb, adapt to, and are shaped by. The rabbit is still recognizable, still soft, still alive—but it is no longer untouched.
White Rabbit #8 sits between resistance and acceptance. There’s no clear answer about whether this change is good or bad. That uncertainty is intentional.
This artwork is directly connected to White Rabbit #7 and White Rabbit #9 (currently in progress). Together, the three pieces form a continuous narrative:
All three works are part of the White Rabbit series featured throughout my website and portfolio.
Created using pyrography, each line is permanently burned into the wood surface. There is no erasing in this process—only commitment. That permanence mirrors the themes in this series and reinforces the idea that some changes, once made, cannot be undone.
An original hand-burned pyrography artwork exploring integration, transformation, and the evolving relationship between artificial intelligence and organic life. Part of my ongoing White Rabbit series.
White Rabbit #8 continues the story that began with White Rabbit #7.
In this piece, the white rabbit is no longer sitting across from artificial intelligence. The relationship has shifted. The rabbit itself has begun to change.
Here, organic and mechanical elements are intertwined. The rabbit’s form shows clear signs of integration—bones, joints, and internal structures are no longer entirely natural. This work represents the middle of the arc: the point where curiosity has turned into transformation.
This piece reflects my own experience with AI as something that no longer exists outside of us. It’s no longer just a tool we interact with—it becomes something we absorb, adapt to, and are shaped by. The rabbit is still recognizable, still soft, still alive—but it is no longer untouched.
White Rabbit #8 sits between resistance and acceptance. There’s no clear answer about whether this change is good or bad. That uncertainty is intentional.
This artwork is directly connected to White Rabbit #7 and White Rabbit #9 (currently in progress). Together, the three pieces form a continuous narrative:
All three works are part of the White Rabbit series featured throughout my website and portfolio.
Created using pyrography, each line is permanently burned into the wood surface. There is no erasing in this process—only commitment. That permanence mirrors the themes in this series and reinforces the idea that some changes, once made, cannot be undone.
Image 1 of 6
Image 2 of 6
Image 3 of 6
Image 4 of 6
Image 5 of 6
Image 6 of 6
